New York Art Life Magazine to publish Victoria Mussi feature interview this week

New York Art Life Magazine will publish a 3,700-word feature interview with Brazilian multidisciplinary artist and audiovisual director Victoria Mussi this week. The piece lands as Mussi takes on two June SoMad programs in Manhattan and highlights her growing influence behind the scenes of New York’s independent art world. Why it matters: - Victoria Mussi is becoming a key technical and creative force inside SoMad, a New York platform centered on underrepresented artists. - The interview spotlights the often invisible production work that shapes exhibitions, performances, and art events. - Mussi also enters a busy June stretch that could expand her profile across New York’s art and queer performance scenes. What happened: - New York Art Life Magazine will publish a feature interview with Victoria Mussi this week. - The piece is titled “Conductors and Connections: A Conversation with Victoria Mussi.” - The interview runs about 3,700 words and spans 17 questions and answers. - Mussi is a Brazilian multidisciplinary artist and audiovisual director based in New York. - Mussi serves as Audio Visual Lead at SoMad and also works as Audio Visual Director on productions and large-scale events. - SoMad is a gallery, residency, digital archive, and cultural production house founded in 2018 and led by a femme and queer community. The details: - Since joining SoMad in 2025, Mussi has helped reshape the institution’s technical foundation. - Her work includes an internal live streaming network connecting the stage to upper floors. - She redesigned the audio distribution into two independent speaker networks. - She programmed a wireless DMX lighting system with more than 15 fixtures. - She installed a dedicated lighting studio on the third floor. - Mussi’s practice combines DMX lighting programming, sound design, recording, video, and installation. - She taught herself the craft by starting with audio systems and then expanding into lighting, video, and immersive scenography. - Mussi recently led audiovisual production and technical implementation for MadWorld “A Bag to Breathe Into,” one of SoMad’s most successful editions to date. - She produced the immersive “Life is Drag” residency by Rachel Rampleman. - She also contributed to the music video for Tōth’s song “Touching” featuring Grammy winner Kimbra. - In May, Mussi designed SoMad presentations at AIPAD with photographer Yi Hsuan Lai, at NADA New York with kinetic sculptor Keith La Fuente, and at Miami Art Week. - On June 13, Mussi will serve as Audio Visual Director for So Mad So Queer, SoMad’s Pride season program curated by Amygdala. - From June 25 to 27, Mussi will lead SoMad’s technical direction for its official Upstate Art Weekend program. - SoMad, in partnership with Upstate Films, will present “Know Your Place,” a free outdoor screening and public program on land, belonging, access, and memory. - The program features six films drawn from the 2025 and 2026 MadWorld Open Call submissions. - The final jury for the program included Mussi, invited artists, and members of the curatorial team. - The evening opens with a conversation between SoMad Artist in Residence Regan De Loggans and Esther, The Bipedal Entity!, centered on Regan’s installation “Thank You, Come Again.” - Selected filmmakers include Alexandra Kumala, Vardit Goldner, Shayna Strype, Pablo Nez Garcia, the collective Anxious to Make, and Yue Nakayama. - The program closes with a historical drag performance by Esther, followed by food, drinks, dancing, and a community gathering. Between the lines: - The interview frames technical production as authorship, not just backstage support. - SoMad’s model gives credit to lighting operators, sound engineers, and system programmers as part of the artistic outcome. - Mussi says she is equally moved by minimalist works that do not depend on heavy technical resources. - Her comments suggest a practice built on restraint, intimacy, and adaptability rather than scale alone. - Mussi also wants to research and collaborate with more Brazilian artists and create more international visibility for them. What’s next: - Mussi’s June 13 role at So Mad So Queer will put her work in front of a Pride-season audience across multiple floors of the SoMad building in Manhattan. - The June 25-27 Upstate Art Weekend program will test SoMad’s outdoor film and public-program format with a multi-day presentation. - The interview says Mussi hopes to open a music residency at SoMad someday. - Mussi describes her career as a process in constant construction, with room to expand while contributing to a collective project. The bottom line: - New York Art Life Magazine’s feature positions Victoria Mussi as one of the technical artists quietly defining SoMad’s identity and New York’s independent art infrastructure.